Category: Everyday Magic

  • Catching My Breath in Bali: Embracing True Hospitality

    The Professor said something to me yesterday that I still haven’t been able to shake, we were texting back and forth after I spent the whole day with Ring and his family, and I’d sent him a photo from the backseat of Ring’s car where Ring’s two kids had climbed over the seats to inspect me up close, which honestly felt entirely appropriate — imagine being two or three years old and your dad just casually announces that today you’re bringing home this strange gray-haired American woman with questionable tattoos and an alarming enthusiasm for coffee, and they were completely unfazed by the whole arrangement, didn’t even blink.

    The Professor looked at that photo for about three seconds before he wrote back, “you look different.” Now this is a man who has spent the better part of fifteen years watching my face, he knows every version of me, Festival Jen, Burning Man Jen, Migraine Jen, Grief Jen, the “I’ve had four hours of sleep and somehow we’re still driving with the dogs to Santa Cruz!” Jen — so when he tells me I look different I tend to pay attention. At first I figured he meant happier, or more rested, maybe Bali had finally succeeded where every overpriced moisturizer on earth has failed. Nope. It took me almost a full day to understand what he was actually seeing, which is that I’m breathing. Not metaphorically, not in the inspirational-Instagram-quote way where somebody writes just breathe over a photo of a mountain they’ve never once climbed.  I mean my body has quietly started doing something it stopped doing years ago. I am breathing all the way down into my diaphragm, which is a sentence so absurd I barely believe it myself except my therapist has been trying to convince me of this for years, my friends have been telling me for years, and if I’m being completely honest with you, I don’t really breathe in Utah. 

    That’s maybe the truest sentence I’ve written in a while. I don’t breathe in Utah, I hold my breath there. I hold my breath at the Coffee Garden, which is probably the safest place I’ve ever known — think about how wild that is, Alan and Dieter built this beautiful little sanctuary full of artists and misfits and queer kids and old professors and everybody who’s ever felt like they don’t quite fit anywhere else, and even there, some ancient part of my nervous system remained unconvinced we were safe enough to fully exhale.

    Trauma is such an exacting little bitch. It doesn’t just build memories, it builds posture, it rearranges your shoulders, it decides where you’re going to carry your jaw, it teaches your lungs to negotiate with oxygen like there’s a shortage. It whispers don’t get too comfortable, don’t relax completely, stay ready, something is coming — and the infuriating part is that after enough years you stop even noticing you’re doing it, holding your breath just starts to feel like breathing, you adapt, because human beings are spectacular adapters, we can normalize almost anything if you give us enough time. Apparently we can normalize living on tiny little sips of oxygen. Who knew?!  Not me. Not until Bali.

    Every morning here I wake up before the sun, and I genuinely could not tell you where the sun comes up from on this particular corner of the island because islands are wonderfully confusing that way, ocean over there, jungle over there, temples everywhere, my internal compass has basically shrugged and said good luck. I pull on my Converse and my yoga pants and head out before most of Ubud has even opened its eyes, though the birds have not only opened theirs, they’ve apparently called for a full choir practice, there is so much birdsong here it you wonder if you should start learning the tunes. As daylight begins to break through, the women carrying canang sari, those tiny woven offerings made out of palm leaves and flowers and gratitude and intention appear like apparitions and then the sweeping begins — god, the sweeping, I have become completely enchanted by the sweeping. Every single morning somebody is quietly taking care of something, a doorstep, a temple, a sidewalk, a family shrine, and nobody is doing it for applause, nobody’s particularly interested in documenting it, it’s just what you do before the day starts, you prepare your little corner of the world for whoever might pass through it. I keep wondering what America would feel like if we spent less time yelling at each other online and more time sweeping.

    Yesterday Ring picked me up. Actually — that’s not even true. Yesterday Ring and his family made room for me. Those are two completely different sentences. His wife was there, his two beautiful kids were there, and we drove from Ubud to Sanur for the kite festival and an afternoon at the beach, which is only twenty-seven kilometers away and somehow took three glorious, ridiculous, completely unhurried hours, and if you’ve never been to Bali that probably sounds impossible and if you have been here you’re already laughing. The traffic is legendary, scooters flowing around cars like schools of fish, entire families balanced on one bike in a way that, honestly, makes you HOLD YOUR BREATH, temple ceremonies just appearing out of nowhere, trucks stopping, dogs wandering across the road like they own the place, which, honestly, they absolutely do. Nobody seemed particularly bothered by any of it, least of all Ring, he just drove, and we talked, and the kids climbed over the seats to tell me very important things I only understood about half of, though I’m fairly sure I agreed to several imaginary adventures and possibly promised to play the important role of a superhero at some point.

    The thing that really got me wasn’t even the kite festival, though the kite festival was magnificent, giant creatures sailing across an impossibly blue sky while whole families gathered on the beach cheering them on, joyful in that deeply communal way that feels rarer and rarer these days. But that wasn’t the point. The point happened in the car, somewhere between the villages and the rice paddies and the scooters and the little roadside temples draped in black and white cloth, when it hit me that Ring wasn’t giving me a tour, he was giving me his entire Thursday, his family, his kids, six hours of a life that already belonged to people he loves. He wasn’t spending time on me, he was sharing it with me, and there is a difference so enormous I still don’t quite have the language for it. I’ve spent so much of my life being the one who takes care of everybody else that I almost didn’t recognize what was happening — I’ve been the Fluffer, the doula, the organizer, the woman carrying snacks in her backpack because somebody’s inevitably going to need almonds, the one who remembers birthdays and medications and spare phone chargers and where everybody parked the damn car. I know how to be that person, it’s one of my love languages. What I apparently don’t know how to do is be cared for without feeling like I owe somebody an apology for the inconvenience of it.

    This is exactly what Bali keeps insisting on. Sit down. We’ve got you for a while. Drink your espresso. Walk your ridge. Ride with our family. Breathe. We’ll sweep, we’ll make the offerings, we’ll show you where the ocean is, you just be here. Maybe that’s why I look different in that photo, not because Bali changed me but because for the first time in a very long time my nervous system believes someone else is standing watch, and it doesn’t have to, not today, not for these few precious weeks.

    Maybe that’s what hospitality actually is. It’s not luxury, it’s not five-star hotels or infinity pools or welcome drinks with orchids floating on top, it’s someone quietly convincing your body that it’s finally allowed to exhale. This is what we’ve always done for each other at our very best, long before social media, long before airplanes, long before passports and guidebooks and algorithms and all this noise we’ve built around ourselves — we made room. Around a fire. Around a table. In the backseat of a little car driving across Bali with two curious kids and a man named Ring who probably has no idea he just handed a tired American woman something she couldn’t have found in any guidebook on earth.

    He gave her back her breath.  He let her exhale. 

    Now that… that feels like a story worth carrying home.

  • PING. Be Early to the Right Thing

    Friday is the new moon, which has always felt to me like the sky turning out its pockets and turning off the lights so we can finally tell the truth.

    So here is mine, loud and clear.

    I have done the polite part. I have done the boots-on-the-ground, rustling-the-bushes, digging-under-the-dirt, logical-rock-turning part. I’ve made the calls. I’ve sent the “just checking in” notes. I have played the game by the usual rules with a bright mouth and a hopeful heart.

    And still, what I am looking for hasn’t fully stepped out of the shadows. So now, I’m doing this the Nakedjen way.

    Pssst.

    If you have ever said to me, “I wish I could do something with you, Nakedjen,” this is me looking you dead in the eye and saying: The gate is open. Walk through it.

    Not “someday.” Not “let’s grab coffee.”
    This.

    The film is PING.

    It’s a story about ambition, identity, and the high-voltage cost of being “exceptional” in a world that wants to eat you for breakfast. It’s smart, it’s dangerous, and it’s painfully relevant. We have an extraordinary team, a killer script, and a direct line to Sundance. This isn’t a “maybe.” This is a machine that is already humming.

    What we need now is the investment to bring it home.

    I am passing the hat. I know it’s unconventional. But when have I ever been the patron saint of conventional?

    I am the woman who gets naked and rides escalators because she can. I am the woman who will stand on the back of a moving horse and jump through fire to make a point. I am the woman in custom Doc Martens, stomping a path toward the things that matter while everyone else is looking for a paved road.

    I know how to make magic out of dust. I’ve done it a thousand times. I know how to turn a bare patch of ground into a republic of joy. I know how to turn strangers into a family and a good idea into the kind of night you remember for twenty years.

    PING is alive. It has a pulse. And it needs extraordinary hearts to match it.

    If you have ever wanted to play with me, build with me, get gloriously dirty with me, or bet on something that actually has a soul—Come on then.

    Be early to the right thing.

    Do not watch this from the sidewalk. Do not wait to hear about it later and wish you’d stepped inside the tent while the lights were still warming up.

    Come to Utah in June. Come be part of the strange and beautiful machinery. Help make the kind of art that tells the truth with its lipstick smeared and its boots still dusty.

    Invest. Introduce me. Raise your hand. Tell your friend with the secret appetite for art. Tell the person who is tired of the boring and the safe.

    Do something wild.

    This is the whisper before the drums. The match struck in the dark. The stomp of the boot that says we are here.

    Come make some movie magic with me.

    I’ll bring the snacks.
    There may be beets.
    You do not have to eat them.

    Let’s make some magic together while we still can. xo

    #PINGfilm #newmoonmanifesting #indiefilm #utahfilm #nakedjen #sundancebound #customdocs #makemagic

  • Badump. Badump.

    Tomorrow is my birthday.


    I’ll be 62.


    And yes, it is also my father’s birthday.


    Ironically.
    Not ironically.
    Kismet.
    Habit.


    A cosmic joke we’ve both been in on since the first day I opened my lungs and learned the sound of his name.


    It is all I’ve ever known, sharing a birthday with a man like him.
    And this year, as we all know, the birthday came with teeth.This year was very difficult for both of us.
    Me and my father.
    Two birthdays. One weather system. Climate change is absolutely real.


    He almost died while I was sitting in Bali, on the other side of the world. I was waking up to roosters and temple smoke and offerings arranged like tiny prayers in palm-leaf trays. He was intubated in a hospital outside Baltimore, tethered to machines, his breath being borrowed. I was on the phone with my sisters doing the sacred arithmetic of panic: the shoulds and coulds and woulds.


    Then I made a decision that still feels like the only one I could make.


    I decided to live my life way out loud.


    I decided to wake each morning and bow and pray to the Bali gods and goddesses in the best way I have been taught. I decided to place my hands on my own chest and hold my father’s heart in mine like it was an instrument I could keep tuned through devotion.


    Because his heart is my own.
    Let’s be honest.


    I am not being poetic. I am being literal in the only language my body trusts.
    Isn’t that what we do, ultimately?


    We keep each other’s hearts beating. No matter where we are.
    Isn’t that what love is?
    One beat here. One beat there.
    One beat in this chest answering a beat in that chest.
    Call and response.
    A long-distance holy communion. Take this beat. I’ll give you mine.

    I can feel it even now.


    His heart has a way of announcing itself.
    Sometimes it wakes me up in the middle of the night like a knock at the door. Sometimes I stop short in the middle of a busy intersection and forget the world has cars. Sometimes I stop dancing and just stare off into space because the beating gets so loud I have to listen.
    Sometimes I have to just stop.
    Because the beat is bigger than the moment I’m in.

    Badump. Badump. Badump. Wait for it….Badump.
    One beat here.
    One beat there.
    Way over there.
    Wherever he is.


    It isn’t easy sharing a birthday with a man who lives his life so loudly, so gregariously, so unapologetically. A man who has always taken up space as if space was created specifically to be taken up. A man who can turn a room into a story just by walking into it with that half-cocked grin.


    The encyclopedia could probably use his photograph, worn and tattered and sepia toned, under the definition of: life lived beyond the edges. Full of hell. Full of laughter. Full of trouble. Full of impossible charm.

    Close-up selfie of an older man in glasses smiling beside a woman smiling, both leaning into the frame.

    This little nut did not fall far from that tree.


    This is the part where I refuse to make myself small.
    Because tomorrow is not just my father’s birthday.
    It is mine, too.


    I made it to 62.


    I made it here with my own two feet and my off-key singing and my insistence on showing up again and again and again. I made it here with love in my fists. I made it here with my heart out where people can see it, which is a dangerous way to live, but it is the only way I know. I walk into the fire, never away from it.


    I have marched.
    I have fussed.
    I have fought for what’s right.
    I have loved people so hard it felt like my ribs were going to crack open and let the light out.
    I am still here.


    So, Albert. Happy birthday to you, you CRAZY (all caps) beautiful human.
    I mean it with all the love. With all the heartbeats. Every single one. Mine, too. Badump!

    Here we are again, for another spin around the sun.

    I can’t even believe it.
    I really am so grateful.

    Two birthdays.
    One world.
    Two wild hearts.
    One echo.

    Tomorrow, if you’re reading this, pause for a second.
    Put your hand on your chest.
    Feel your own drum.
    Notice the beat that has carried you through every single thing you thought might take you out.

    Then go live your life out loud.
    Keep someone’s heart beating, if you can.
    Let them keep yours.
    One beat here. One beat there.
    Badump.


    xo
    Nakedjen

    P.S. Why today? Because Sundance. It’s basically my birthday party, my church, and my annual emotional car wash. I’m volunteering (!!!) and will be in Park City for the duration starting today, so I’m kicking the celebration off early and holding the bittersweet right alongside the glitter.

  • Come As You Are

    THE NAKEDJEN FILM FESTIVAL IS OPEN

    This weekend, I spent my days with the unhoused community.
    Cooking real food.
    Passing out warm socks and the right shoes.
    Hauling heavy tarps.
    Listening. Really listening.
    Helping with pets.
    Sorting stories into something that might become actual help.

    It was grounding in the way only service can be.
    Feet on pavement. Hands busy. Heart wide open.

    August was found.
    He is warm. He is safe. He is with his mother.
    I will leave it there.

    What I will say is this: the community that formed around that search is one I treasure deeply. LOVE. All caps. Some of our finest humans. The kind who show up when it’s inconvenient, uncomfortable, and unclear. The kind who do not quit. The Purple Alert is moving forward, and Utah needs it. That matters. That focus matters. That energy matters.

    I also celebrated the Solstice.
    With my professor.
    With my Coffee Garden family.
    Food. Laughter. Candlelight. That quiet, delicious knowing that the light is coming back. Flickering on again. In the sky. In us.

    How blessed am I?
    To be loved this fully.
    To be seen.
    To be held by so many steady, tender hearts.

    Which brings me back here.

    Back to the Nakedjen Film Festival.

    This is not a festival the way you’re thinking.
    There are no velvet ropes. No badges. No gatekeepers.
    There will be a list of suggested films, yes. Because sometimes it’s nice to be handed a menu.

    But let me be very clear:

    You are the festival.
    We are the festival.
    Everyone participates.

    Come as you are.

    Start right now.
    Or wait until Christmas.
    Or stretch it out through the holidaze, because honestly, why rush joy?

    Watch what makes you happy.
    Watch what cracks you open.
    Watch what helps you laugh, breathe, remember yourself.

    Stream something.
    Go to a theater.
    Sit on the floor.
    Invite people over.
    Watch alone and text someone after.
    Let the joy be in the watching, yes — but also in the sharing.
    The conversations.
    The “have you seen this?”
    The quiet miracle of feeling something together.

    This is how we rest without going numb.
    This is how we stay human.
    This is how we keep our hearts from hardening.

    So come as you are.
    Bring your weariness.
    Bring your love.
    Bring your grief and your laughter and your popcorn.

    The Nakedjen Film Festival is open.
    No end date.
    No dress code.
    Just a warm light in the dark, and room for everyone.

    We can begin.


    🍿 THE NAKEDJEN FILM FESTIVAL
    Come As You Are • Where to Watch • How to Watch

    No gatekeeping. No pressure.
    Press play when you’re ready. Pause when you need to.
    Share what moves you.

    🖤 IN HONOR OF STORY, LOVE, AND ENDURANCE

    The Princess Bride
    How: Streaming rental
    Where: Amazon Prime Video, Apple TV
    Theatrical: Occasional revival screenings
    Why: Because tenderness, humor, bravery, and devotion still matter. Always.

    🎄 CLASSIC CHRISTMAS (CORRECT, NOT COZY)

    Die Hard
    How: Streaming rental
    Where: Amazon Prime Video, Apple TV
    Theatrical: Seasonal repertory screenings
    Why: Resilience, teamwork, and surviving the impossible. Shoes optional.

    🔥 NOW / NEXT (2024–2025 ENERGY)

    Marty Supreme
    How: Theatrical release
    Where: Independent and arthouse cinemas
    Streaming: Expected later in 2025
    Why: Ambition, masculinity, myth-making, and the cost of wanting more than the room allows.

    Train Dreams
    How: Streaming now
    Where: Netflix (press play, no rental required)
    Theatrical: Festival and limited special screenings
    Why: Solitude, labor, wilderness, and the quiet lives that built this country. A meditation, not a spectacle.

    Goodbye Jane
    How: Streaming now
    Where: Netflix (easy, immediate access)
    Theatrical: Festival and limited release
    Why: Grief, rupture, love after loss. Gentle and devastating in equal measure.

    Past Lives
    How: Streaming
    Where: Paramount+, Amazon Prime Video (rental)
    Theatrical: Occasional revival screenings
    Why: A film that doesn’t fade. It deepens.

    The Holdovers
    How: Streaming
    Where: Peacock, Amazon Prime Video (rental)
    Theatrical: Holiday repertory screenings
    Why: Lonely winters, found family, and the grace of staying.

    🎥 DOCUMENTARIES

    (Because paying attention is an act of love.)

    It’s Never Over: Jeff Buckley
    How: Streaming
    Where: Max (HBO)
    Theatrical: Select documentary screenings
    Why: Genius, ache, devotion to art, and a voice that still echoes.

    20 Days in Mariupol
    How: Streaming
    Where: PBS / Frontline platforms
    Theatrical: Educational and special screenings
    Why: Bearing witness. Not easy. Necessary.

    🌱 GROUNDING / BREATH / HUMANITY

    Perfect Days
    How: Streaming rental
    Where: Amazon Prime Video, Apple TV
    Theatrical: Occasional indie revivals
    Why: Ritual, simplicity, and the quiet holiness of showing up anyway.

    🎞️ NJFF THEMES

    Choose your night by feeling, not by calendar.

    💔 Grief Night
    Goodbye Jane • It’s Never Over: Jeff Buckley • Past Lives

    🔥 Resistance Night
    Die Hard • Marty Supreme • 20 Days in Mariupol

    🌲 Stillness & Solitude
    Train Dreams • Perfect Days

    🫶 Found Family
    The Holdovers • The Princess Bride

    ✨ Art Saves Us
    It’s Never Over: Jeff Buckley • Past Lives

    🫶 FINAL INVITATION

    The Nakedjen Film Festival is not a fixed lineup.
    It is a living, breathing thing.

    Please add your films.
    Share what cracked you open.
    Tell us what made you laugh, rage, soften, or remember yourself.

    Watch alone.
    Watch together.
    Start now. Or Christmas. Or stretch it through the holidaze.

    You are the festival.
    We are the festival.
    Come as you are.

  • Orange and Pink Skies

    Orange and Pink Skies

    Yesterday I walked Clyde down to the Coffee Garden. Late afternoon, sweatshirt weather, solid EDM beats in my ears. Not exercise—just a wander for my heart and my dog.

    What we weren’t expecting was to find Lil Salty behind the counter. I skipped the line, leaned in close, and whispered,
“Hey—will you make me a chai? Clyde’s waiting outside.”

    He grinned like a Cheshire cat, asked about the new chai, confirmed hot with oat milk (always), and slid the cup across like it was a secret handshake.
Then he ducked out from behind the counter to where his girlfriend sat, and the afternoon turned into a small, golden love-fest on the sidewalk. Clyde lapped up every bit of attention while I traded easy chatter before heading back up the hill.

    It wasn’t a workout. It wasn’t even really a walk.
Just a stroll under an orange-pink sky that looked like the world was blushing for us.


    Lately the skies have been wild—solar flares, auroras, Mercury being her usual Retrobabe self.
I can feel the static of it all in my bones.
And if I’m honest, that same energy sometimes slips into a low hum of sadness.
The kind that whispers, stay home, close the curtains, disappear for a bit.

    But I know better.
What I need isn’t isolation—it’s communion.
People. Eye contact. Shared laughter over chai foam. A reminder that connection is the medicine.

    So here’s my tiny revolution for this retrograde season:
one human connection every day.


    A walk, a hello, a message, a small act that breaks the seal between me and the world.


    To hand someone a sandwich instead of just filling a fridge.


    To look someone in the eyes and remember that only love can fill the empty cups.

    The skies are flaring, the planets are misbehaving, and I’m still here—heart open, dog at my side, hands ready to give something warm away.

    Only love can fill.
And I intend to keep pouring.